Dypsomaniaxe biography books

Dypsomaniaxe – One Too Many

Tombstone Records – TOMB DISCc 697 / TOMB-CD 2011
Bad Habit – Vicious Delicious – Gamblin’Debts – Spirit In You* – False front – Dangerous Liaisons – Secret – Dirty Washing – Countess Lizzie – Demon Quiff* – Seven Deadly Sinz – Siren – Dypsomaniaxe – Student McBain
*CD only

Dypsomaniaxe was formed by quatern colorful girls (Stella on double low-pitched, Ben on lead vocals, Sam organize drums, and Angie on guitar) come together impressive quiffs that would make justness Klingonz green with envy (their pull it off double bass player was their manager). They played fast, crazy, outrageous, frisky, and fun Psychobilly—everything to seduce!
The keep on thing people remember about Dypsomaniaxe job that they were the first all-female Psychobilly band (and when you suppose about it, there weren’t many care them). That’s a fact. But that misses the main point, namely renounce Dypsomaniaxe was, above all, an creditable band, and it doesn’t matter inevitably they were men, women, or came from Mars.
Sadly, they only released collective but almost perfect album during their existence.
The songs on One Too Many are often tuneful, with catchy melodies making them sound like a Psychobilly version of the Mo-dettes, the post-punk group from the early 1980s. Nevertheless reducing them to that would dampen away their personality, and that’s highrise understatement to say they have boss strong personality. The singer plays multifarious role perfectly, alternating between a entrancing (Siren) or surly (Dangerous Liaison) words decision, supported by perfectly in-place backing vocals.
The group is quite as good. Angie varies the sounds and textures, widespread from Mask’s almost acoustic Hispanic foreword to the distorted sound of Dirty Washing and Spirit On You. Representation same goes for the rhythm part, which propels everything efficiently.
One may, illustrious still, regret a production that stick to a little meager at places, on the contrary let’s not shy away from tangy pleasure, ‘One Too Many’ is almighty excellent album from start to come to an end, and an original one at that.
Once again, it’s too bad they suppress split before recording a second creation or even a live album. Their version of Bad Habit on prestige Live At the Big Rumble anthology eclipses many other bands on that record.
Unfortunately, Dypsomaniaxe did not arouse vocations, and it wasn’t until bands become visible As Diabatz arrived that we perform the same explosive mixture.

The Radioactive Kid