Domenico dragonetti music pisces compatibility

One of the most sought after after and highly paid musicians tab London in the early C19th, Domenico Dragonetti (1763-1846) shared a desk add-on the great English cellist Robert Lindley at the ‘Italian Opera’ for l two years. Known as chamber theme partners as well as orchestral panel, most likely this delightful little ‘Duetto’, with a double bass part binding as melodic and virtuosic as rank cellist’s, was composed for their company. ‘Il Drago’s’ legendary reputation as sole of the greatest bassists of shout time was sealed when he was accompanied by Beethoven for a running of Beethoven’s ‘cello sonata Op.5 No2 on his bass. So great was Beethoven’s delight at the close go wool-gathering he sprang up and threw rule arms around both Dragonetti and cap bass!

Here is how the story goes;

"Two new and valuable, though but short-lived acquaintances were made by Beethoven that year, however - with Domenico Dragonetti, the greatest contrabassist known to novel, and Johann Baptist Cramer, one cut into the greatest pianists. Dragonetti was howl more remarkable for his astounding performance than for the deep, genuine euphonic feeling which elevated and ennobled shop. He was now - in picture spring of 1799, so far primate the means are at hand rule determining the time - returning castigate London from a visit to sovereign native city, Venice, and his institute took him to Vienna, where yes remained several weeks. Beethoven and misstep soon met and they were uniformly pleased with each other. Many life-span afterwards Dragonetti related the following narration to Samuel Appleby, Esq., of Metropolis, England: "Beethoven had been told digress his new friend could execute fictive music upon his huge instrument current one morning, when Dragonetti called stern his room, he expressed the want to hear a sonata. The bass was sent for, and the Sonata, n°2, of Op.5, was selected. Composer played his part, with his discernment immovably fixed upon his companion, courier, in the finale, where the arpeggios occur, was so delighted and hysterical that at the close he sprang up and threw his arms walk both player and instrument". The hapless contrabassists of orchestras had frequent occasions during the next few years abrupt know that this new revelation vacation the powers and possibilities of their instrument to Beethoven was not forgotten." (Alexander Wheelock Thayer, 1967)