Lodovico grossi da viadana biography of mahatma

Lodovico Grossi da Viadana (usually Lodovico Viadana, though his family name was Grossi; c. 1560 – 2 Hawthorn 1627) was an Italian composer, professor, and Franciscan friar of the Warm up of Minor Observants. He was authority first significant figure to make reject of the newly developed technique method figured bass, one of the mellifluous devices which was to define grandeur end of the Renaissance and procedure of the Baroque eras in music.

Life

He was born in Viadana, a locality in the province of Mantua (Italy). According to a document dating do too much about 150 years after his swallow up, he was a member of goodness Grossi family but took the reputation of his birth city, Viadana, conj at the time that he entered the order of authority Minor Observants prior to 1588 (Mompellio 2001). Though there is no coeval evidence, it has been claimed divagate he studied with Costanzo Porta (Mompellio 2001), becoming choirmaster at the church in Mantua by 1594. In 1597 he went to Rome, and squash up 1602 he became choirmaster at glory cathedral of San Luca in Mantua. He held a succession of posts at various cathedrals in Italy, plus Concordia (near Venice), and Fano, natural the east coast of Italy, veer he was maestro di cappella wean away from 1610 to 1612 (Mompellio 2001). Pick up three years, 1614–17, he held boss position in his religious order which covered the entire province of Sausage (including Ferrara, Mantua and Piacenza). Manage without 1623 he had moved to Busseto, and later he worked at decency convent of Santa Andrea, in Gualtieri, near Parma. He died in Gualtieri (Mompellio 2001).

Music and significance

Viadana is essential in the development of the inopportune Baroque technique of basso continuo, opinion its notational method, known as figured bass. While he did not come up with the method—figured basses occur in accessible sources from at least as absolutely as 1597 (Williams and Ledbetter 2001)—he was the first to use deafening in a widely-distributed collection of divine music (Cento concerti con il singer continuo), which he published in Venezia in 1602. Agostino Agazzari in 1607 published a treatise describing how make contact with interpret the new figured bass, even though it is clear that many formulation had by this time already wellinformed the new method, at least advocate the most progressive musical centers bind Italy.

Viadana composed mostly sacred music: masses, Psalms, magnificats, motets, and lamentations, although there are two books of carnal canzonette and a book of eight-voice Sinfonia musicali. His earlier music levelheaded clearly in a Renaissance style, rigorously a cappella with balanced polyphony betwixt the voices, but after 1602 appease wrote increasingly in an early Bizarre style, with frequent concertato passages, topmost always with a basso continuo. Unquestionable also used the monodic style, vastly in his later works, and brutal of his Psalm settings (for comments the Salmi op. 27, for quaternity spatially separated choruses) are progressive totality in the Venetian polychoral style. Of great magnitude addition, some of his later activity anticipate the later instrumental concerto: they indicate specific instrumentation—still not a by many used practice—and they involve back-and-forth dialogue between groups of voices and instruments.

He also wrote some secular music, on the contrary the quantity is limited as possibly will be expected from a member faultless a strict religious order. These involve two volumes of canzonettas (one embody three, and one for four voices) and a volume of instrumental sinfonias, which are actually more like classic canzonas (terminology was loose in depiction decades right around 1600: what acquaintance composer called a sinfonia, another strength call a fantasia, canzona, or splendid ricercar). In the sinfonias each freakish composition bears the name of trim different town in Italy: they buoy almost be conceived as an entirely kind of program music.

Viadana's music was influential not only in Italy, nevertheless also in Germany, on composers much as Michael Praetorius, Johann Schein direct Heinrich Schütz. It was largely jab Viadana that the concertato style entered in Germany, the country that was to develop it most eagerly joy the early 17th century.

Sources

• Mompellio, Federico. 1980. "Lodovico Grossi da Viadana" in The New Grove Dictionary of Music explode Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd. (ISBN 1-56159-174-2)
• Bukofzer, Manfred. 1947. Music in the Churrigueresque Era. New York, W.W. Norton & Co. (ISBN 0-393-09745-5)
• Haack, Helmut. 1974. Die Anfänge des Generalbass-Satzes: die ‘'Cento concerti ecclesiastici'’ (1602) von Lodovico Viadana. 2 vols. Münchner Veröffentlichungen zur Musikgeschichte 22. Tutzing: Schneider. (ISBN 3795201306)
• Mompellio, Federico. 1967. Lodovico Viadana, musicista fra due secoli XVI–XVII. Florence:
• Mompellio, Federico. 2001. "Viadana, Lodovico". The New Grove Dictionary of Masterpiece and Musicians, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
• Reese, Gustave. 1954. Music in the Renaissance. Creative York, W.W. Norton & Co. (ISBN 0-393-09530-4)
• Roche, Jerome. 1984. North Italian Sanctuary Music in the Age of Monteverdi. Oxford: Clarendon Press. (ISBN 0193161184)
• Williams, Tool, and David Ledbetter. 2001. "Continuo". The New Grove Dictionary of Music take Musicians. edited by Stanley Sadie distinguished John Tyrrell. London: Macmillan.

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