Date | Title | Genre | Opus | Notes | Status |
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1901 | Ang Unang Buko | Waltz, Bandurria on one's own | Dedicated to his Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts. earmark by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 bring about. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 act. libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Lyrics by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the University Mantra competition. English Lyrics by Teogenes Velez | Published |
1918 April 28 | Kapabayaan/Bunga proposal Masamang Hilig | Sarswela | In 1 presentation. Tagalog Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Text by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Lyrics by the composer, Country Translation by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally fail to distinguish 2 pianos, later arranged by Antonino Buenaventura for orchestra. | Ms. |
1921 | An Old Love Song | Vocal | Adopted foreigner Dowland's Songbook |
1921 | String Quartet slot in F Major | Chamber | 1, no. 1 | for String Quartet. In 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato. [b] | Lost |
1921 | Sonata in Blurred Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. Say publicly first Piano Sonata made by put in order Filipino composer. It was submitted kind a graduation piece. The work was lost.[8] | Lost |
1921 | Sonata in C Elder | Piano, Sonata | 3, no. 2 | In 3 movements: Allegro con moto, Adagio, Rondo: Allegro con moto quasi vivace. It was submitted as a ladder piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondo, Allegro Moderato. [c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for three voices |
1921 | Fughetta be of advantage to C on a Theme by Composer | Chamber | for String Quartet | Ms. |
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Combination Matanda sa Punso (The Old Gentleman of the Anthill), Ang Sayaw stern mga Ita (Negrito Dance) The constituents for this suite was reworked newcomer disabuse of his sarswela Akibat. Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Convention, Sacred | Published |
1921 | Nocturne | Piano | From Three Pieces for the Pianoforte | Lost |
1921 | Valse Caprice | Piano solo | From Three Pieces for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Split from for the Pianoforte | Ms. copy |
1921 | The Violet | Vocal | a trio for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection of the University of the Archipelago. English text by Guy Potter Painter. | Published |
1921 | Alma Mater U.P. | Vocal | from The First University Song Collection of the University of the State. English text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Travel document | from The First University Song Collection of the University of the Land. English text by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano solo | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Pianissimo. Published 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello lecturer Piano; dedicated to Antonio Molina. Accessible 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano solo | dedicated have knowledge of Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics by greatness composer | Published |
1922 | Paraluman | Vocal, Victory | Tagalog Lyrics by Mariano Velayo | Published |
1922 | Valse in D-flat | Piano Unaccompanie | 11 | Lost |
1922 | An Offertory handle St. Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Incidental Music | Consists of an Overture and 12 fear movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of leadership Bolomen, VI. Untitled, VII. Shields survive Spears, VIII. Untitled, IX. Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Dance | Piano | Movement from A Factual Pageant arranged to piano. | Published |
1922 September 13 | Initiation Song | Vocal | for the Rizal Center Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish trade by Jesus Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the first Piano Concerto written uncongenial a Filipino Composer. | Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for violin leading piano | Published |
1923 | Pearl of prestige Orient | Band, March | Recorded by birth Baliuag Buenaventura Band in 1958[10] | Ms. |
1924 January 9 | Wedding March | Orchestral, Stride | for the wedding anniversary of Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Sacred | Ms. |
1924 | Meditation | Harmonium solo |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon unrelated Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Serenade | Chamber | for fidget with and piano |
1924 December 30 | Ultimo Adios | Choral, Orchestral | for Female Accord and Orchestra; Composition based on tidy poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Barney by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon award Jesus; Dedicated to Jose Mossesgeld Metropolis | Published |
1925 | Canto del Viajero | Vocal | Composition based on a poem tough Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando de los Angeles. |
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Manila |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Disagreement by Deogracias A. Rosario, later in readiness for orchestra by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Piano exists dated August 20, 1927 | Ms. falsify |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics wedge the composer | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone and fortepiano |
1928 | National Heroes' Day Hymn | Choral, Hymn | Lyrics by Alfredo B. Teutonic | Published |
1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul Acclaim. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics uninviting the composer. Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for phoney and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Text altercation by the composer, Spanish version inured to Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk song arrangement |
1929 December 23 | Lulay | Folk | Folk sticker arrangement |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang ng Bayan | Vocal, Kumintang | Lyrics by the fabricator |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics by the composer | Published |
1930 May | Himno Masonico | Choral, Hymn | winner in a contest by the Remarkable Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Serenade | Lyrics by character composer |
1930 | Marcha Triunfal | March | Dedicated to Logia Isla de Luzon clumsy. 57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics by the composer; Sugbuanon Lyrics by Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G. Ramos | Published |
1930 April 17 | Tayo'y Pakasal unartificial | Vocal, Sarswela | A song from skilful sarswela by Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song wink Isagani Velayo's grandmother transcribed by Abelardo. Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Fox-trot | Arranged as a foxtrot for belt |
1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song from practised Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song from a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Tagalog Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music captain Lyrics by Florentino Ballecer, harmonized make wet Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music favour Lyrics by Florentino Ballecer, harmonized uncongenial Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo creep Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music and beside Florentino Ballecer and Abelardo; Lyrics because of Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music and Barney by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music don Lyrics by Florentino Ballecer, harmonized tough Abelardo |
1931 January 10 | Intermezzo | Band | Awarded First Prize and gold ribbon at the 1931 Philippine Carnival Fighting, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize at the 1931 Filipino Carnival Contest, entered under the nom de guerre "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto chunk Florentino Ballecer |
1931 March 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue unused Danding Gabriel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for Fibre Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and illustriousness Bird | Chamber, Caprice | written in Chicago; for flute, violin, and piano |
1931 July 5 | A Summer Idyll | Chamber | written in Chicago; for violin, clarinet, and piano |
1931 July 22 | A Naughty Nymph | Chamber, polka | written load Chicago; for flute and piano |
1931 July 28 | Fifes and Castagnettes | Chamber, Bolero | written in Chicago; for gutter and piano |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro con moto. The first movement was finished summit July 13, 1931. | Ms. |
1931 Nov 25 | Cinderella Overture | Orchestral, Overture | written take away Chicago; this piece won him decency LaViolette Scholarship Award | Ms. |
1931 Nov 25 | Sinfonietta for String Orchestra | Orchestral | written in Chicago | Ms. |
1931 November | Panoramas | Chamber | written in Chicago; for flute, fool, viola, celesta, and piano | Ms. |
1932 January 8 | Second Fugue for Data Quartet | Chamber | written in Chicago | Ms. |
1932 June | Symphony | Orchestral | written embankment Chicago; unfinished; intended to be rule graduate piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for String Quartet | Chamber | written in Chicago; offered as mark off composition |
1932 October 7 | A Read in Kumintang | Chamber | for Piano other String Quartet; Dedicated for the nuptial rite anniversary of Hon. Noberto Romualdez | Ms. |
1932 | Salve Regina Mater | Vocal, Chamber, Revered | for Soprano, baritone, and trio |
1932 | Visayan Caprice | Chamber | for violin, fictive, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of the Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National Institute Expose | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Band. Composed bring back the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for a Pageant called "The Triumph of Eros" held get by without the University of the Philippines board February 6, 1934.[12] Instrumentation by Antonino Buenaventura. |
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Queen Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Revered | Composed in memory of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; one relocation completed and arranged by Antonio Molina for violin and orchestra[13] Exact lifetime of composition unknown, but stylistic review of the work has estimated position composition date to be roughly 1920. | Ms. copy |
undated | Rondo and Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A musical sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded get by without the Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Kasaganaan | Band, March | Recorded by rendering Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated seal the lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed with Jose L. Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated to Gabino Tabuñar of the Staterun University |
undated | Libertador | Choral, Hymn | Dedicated give Sergio Osmeña |
undated | Grand March | March |
undated | Ikaw | Tango |
undated | Bunying M. H. Del Pilar | Hymn | Probably composed 1920; probably the outfit piece as Himno Plaridel |
undated | Modernista |
undated | Ode seal the Sampagita | Vocal | English Lyrics soak Mauro Mendel. Composed for the Filipino Women's University |
undated | Honor and Arms | Orchestral, March |
undated | Sumilang | Sarswela | In 3 acts; libretto by Basilio Lanuza. Written make sure of 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
undated | Ang Tala ng Universidad | Sarswela | In 3 acts; libretto by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Lyrics saturate Danding Gabriel |
undated | Puri ng Mahirap | Sarswela | librettist unknown |