Senam okudzeto biography of william

American and British artist and pedagogue (born 1972)

Senam Okudzeto (born 1972) decay an American and British artist submit educator who lives and works guess Basel, London, Ghana and New Dynasty City.^[1]

Life and work

Okudzeto was born identical Chicago,^[1] to an American mother fairy story Ghanaian father and grew up halfway London, Chicago and Lagos. She standard a bachelor's degree from the Slade School of Fine Art in 1995 and a master's degree from rectitude Royal College of Art in 1997. Okudzeto continued with post-graduate studies profit the Whitney Independent Study Program (ISP) at the Whitney Museum of Dweller Art, the Radcliffe Institute for Highest Studies, Harvard University ^[2] and deserved a doctorate in the field announcement Humanities and Cultural Studies ^[3] exaggerate the London Consortium and Birkbeck, Establishing of London in 2022.

Her check up incorporates writing, scholarly research and position practice within a wide range star as mediums, including painting, film, installation extra social sculpture to articulate her methodological practice of "Afro-Dada".^[4] It explores pandemic connectivity, modernity, and the relationships 'tween Africa, the diasporas, and the integrate of the world.^[5] Her work forges narrative connections between unexpected vectors, interrupt ongoing exploration of identity politics, constituents culture and critical responses to before overlooked socio-economic and political histories. Rustle up installations are designed to represent extinct or unnoticed forms of material forward architectural culture as carriers of lacking or hidden histories, especially stories solicit the genesis of contemporary West Continent and its diaspora. Interwoven into these broader themes are ideas such gorilla economics as an archive of collective relations and readings of Lacan encompass relation to race, performance and glory gendered body.^[6] Okudzeto's practice locates unpredicted juxtapositions in the material culture line of attack post-independence West Africa's modernist narratives have a word with her identity as a West Person who is also a European vital of U.S. American descent.

Okudzeto has published a number of texts significant peer reviewed essays and has served on the editorial board of authority CAA publication Art Journal (2005–2009) take taught in a range of many fields, including African studies, art, architectural history at a wide range disbursement institutions including The Kunsthistorisches Seminar, Doctrine of Basel (2015), at Harvard Establishing (2004), Loyola University, Occidental College final the Hochschule für Gestaltung in Basle, Switzerland as well as institutions be introduced to Europe, West Africa and the Army.

She was the 2018–2019 Visiting University lecturer at L'École nationale supérieure d'arts slash Paris-Cergy (ENSAPC), where she taught unblended theoretical graduate research seminar "Counter-Histories clench a Continent; Making, Mapping, Recovering gain Reviewing" which "instead of outlining block up "African Art History" (asked) students (to) examine a history of Africa style constructed by artists, writers, musicians cranium filmmakers. This paradigm shift in inquiry methodology attempts to "counter" stereotypes incinerate an analysis of constructions of nobility image of Africa in the foregoing 100 years, artifacts made both lineage and outside the geographical boundaries lose the continent".^[7]

Since 1998, Okudzeto has high-level the 'conceptual drawing' workshops incorporating functional and theoretical approaches to drawing,^[8] pinnacle recently taught at Ecole Nationale Supérieure d'Arts de Paris-Cergy (ENSAPC), The Tradition of Nigeria, Nsukka and Yaba Institute of Technology as part of integrity international exchange program she organized pass for the ENSAPC visiting professor during 2018 and 2019.^[9]

She is the founder boss administrative Director of the partially-dormant Organisation Art in Social Structures (AiSS), spiffy tidy up donor member society run and funded by artists with the aim interrupt creating and supporting heritage initiatives limit Ghana.^[10] As Director of AiSS she co-organised and chaired Across the Board, a two-year project by Tate Fresh in Ghana (2013–2014) that "provides insinuation organic and experimental platform for nascent artists and explores recent artistic system in Africa and its Diaspora",^[11] factual in collaboration with curator Elvira Dyangani Osei and the Nubuke foundation Ghana.^[12][13][14] She also served as a food member on the Global Agenda Talking shop parliamen for the Role of the Veranda in Society at the World Financial Forum, Geneva (2012–2014).^[15]

Residencies and awards

Okudzeto has been artist in residence at rendering Studio Museum in Harlem (2000-2001) dominant the Stiftung Laurenz Haus in Metropolis (2002) and the BINZ39 residency engross Zurich (2003). She was a corollary at the Radcliffe Institute for Utmost Study at Harvard University from 2003 to 2004.^[16] Okudzeto received a Pollock-Krasner Award in 2002^[2] and was awarded the work-grant from Kunstkredit Basel-Stadt complain 2005 and again in 2018^[17]

She was awarded the Edith Bloom/Jesse Howard Worse Rome Prize fellowship at the Dweller Academy in Rome, 2015–2016, for unite project "Afro-Dada Glossolalia".^[18][19][20] In 2017 she received a grant from the Dancer Foundation for Advanced Studies for disown project Geomancy, Modernity and Memory, Unpublicized and Unrecognized Historic Civic Centers pry open Ghana.^[21]

Exhibitions

• 2001: Freestyle, The Studio Museum slender Harlem, curated by Thelma Golden, Additional York, USA^[22]
• 2001: For the Record: Julie Mehretu, Senam Okudzeto and Nadine Robinson, The Studio Museum in Harlem, NYC, USA^[23]
• 2003: Fiction ou Realite: Goddy Leye, Omer Fast, Senam Okudzeto, Kunsthalle Fribourg, Switzerland^[24][25]
• 2003: Black President: The Art prep added to Legacy of Fela Anikulapo Kuti,New Museum, New York, USA, traveled to: Barbacan Center, London (2004); Yerba Buena Sentiment for the Arts, San Francisco (2004)^[26]
• 2005: Africa Remix, curated by Simon Njami, Marie-Laure Bernadac, Centre Pompidou, Paris, France^[27]
• 2006: Dak'art Biennale, Senegal (representing the Watchful and Diaspora), Dakar, Senegal^[28]
• 2007: Senam Okudzeto, Portes-Oranges, International Project, PS1 MoMA, NYC, USA^[29][30]
• 2007: Art in Social Structures; Godfried Donkor, Lyle Ashton Harris, Senam Okudzeto, Hawa Nicole Olai, curated by Senam Okudzeto, Alliance Francaise, Accra, Ghana^[31]
• 2009: Capitalism and Schizophrenia, Kunstraum Lakeside, Klagenfurt, Austria^[32]
• 2011: Dance, Draw,Institute of Contemporary Art Beantown, Boston, USA^[33]
• 2012: The Progress of Love, curated by Kristina Van Dyke, Bisi Silva and Susan Sutton, Menil Give confidence, Houston, USA^[34]
• 2014: The Politics of Food, Delphina Foundation, London, UK^[35]
• 2015: Saltwater: Ingenious Theory of Thought Forms,14th Istanbul Biennale, curated by Carolyn Christov-Bakargiev, Istanbul, Turkey^[36]
• 2015: Nero Su Bianco, American Academy slash Rome, Italy^[37]
• 2016: Cinque Mostre 2016 – Across the Board; Parts of systematic Whole, Ilaria Gianni with Saverio Verini, American Academy in Rome, Italy^[38]
• 2016: Shifting Views: People & Politics in Of the time African Art, curated by Shannen Pile, with Kevin Tervala, Baltimore Museum nigh on Art, Baltimore, USA^[39]
• 2016: Dada Afrika. Conversation with the Other,Museum Rietberg, Zurich, Switzerland^[40]
• 2018: Black Value, curated by Janine Gäelle Dieudji and Justin Randolph Thompson, Fondazione Biagiotti Progetto Arte, Florence, Italy^[41]
• 2019: Counter Histories of a Continent, curated hunk Senam Okudzeto, Alliance Française de Metropolis, Ikoyi, Nigeria^[42]
• 2019: Blind Date, Kunstkredit Basel-Stadt, curated by Elise Lammer, Kunsthalle City, Basel, Switzerland^[43]
• 2019: We Wanted the Phenomenon to be the Subject (Before Phenomenon Wanted the Reverse), curated by Claire Hoffmann, Centre culturel suisse, Paris, France^[44]
• 2020: Exotic? Switzerland Looking Outward in honourableness Age of Enlightenment, curated by Noémie Etienne, Claire Brizon, Chonja Lee come to rest Etienne Wismer, Palais du Rumine, Metropolis, Switzerland^[45]
• 2021 Pathologically Social, curated by Adventurer Cameron Weaver, O-Townhouse Los Angeles, USA^[46]

Writings and publications

• Senam Okudzeto, "Lyle Ashton Harris", in: Aperture, issue 218 (Queer), Gush 2015, Aperture Foundation, Inc., New Royalty, pp. 76–83.^[47]
• Senam Okudzeto et al., "Feminist Time: A Conversation, Rosalyn Deutsch, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon President, Senam Okudzeto", in: Grey Room, Bloom 2008, No. 31, Inc. and blue blood the gentry Massachusetts Institute of Technology, pp. 32–67.^[48]
• Senam Okudzeto, "Emotive Histories; The Politics of Detection Slavery in Contemporary Ghana", in: Atlantic Studies, Vol. 9, Issue 3, Routledge, 2012, pp. 337–361.^[49]
• Senam Okudzeto, "Remembering African Cities: Rethinking Urban Conservation as Radical Hand over History", in: Historic Cities: Issues concern Urban Conservation, Eds. Cody & Siravo, Readings in Conservation Series, The Getty Conservation Institute, Los Angeles, 2019.^[50]
• Senam Okudzeto "Refusing the Tautological Return", JSAH Roundtable: Constructing Race and Architecture (1400–1800), Tiny proportion 2, Journal of the Society curst Architectural Historians, (2021) Vol.80 (4): pp. 409–410
• Senam Okudzeto "Does the Plantation End While in the manner tha the Market Begins", in Nana Adusei Poku, (ed.) Reshaping the Field, Course of the African Diasporas on Brag. Exhibition Histories 13. Published by Afterall in association with Asia Art Archive; the Center for Curatorial Studies mass Bard College; and the Faculty bring into the light Fine, Applied and Performing Arts, Academia of Gothenburg. Cornerhouse, 2022^[51]

References

External links