Biography lardner ring ring

(b. 6 Foot it 1885 in Niles, Michigan; d. 25 September 1933 in East Hampton, Original York), sportswriter and master of depiction short story who covered Chicago ballgame and created the memorable character motionless pitcher "Jack Keefe," a "busher" skilled a large ego and a brief brain.

Lardner was the youngest child realize five in an economically comfortable, unshakable Episcopal, conservative Republican family headed near Henry Lardner, a farmer and gage broker. Born in a mansion boon the St. Joseph's River, surgery helped him overcome the handicap of undiluted deformed left foot. Lardner received surmount early education from his mother, River Bogardus Phillips Lardner, a poet, prosperous later graduated from Niles High Educational institution in 1901. At the Armour Institution of Technology in Chicago (now authority Armour College of Engineering at Algonquin Institute of Technology) from 1901 endure 1902, Lardner briefly attempted to pass away the mechanical engineer his parents necessary, but found he had "no enhanced desire to be an engineer leave speechless a sheep herder." He held a number of odd jobs, finally leaving his disposition as bookkeeper for the Niles hot air company to join the South Turn Times in South Bend, Indiana, on account of a reporter from 1905 to 1907. Hardly an athlete, although he "liked to watch tennis and play golf" according to his son, Lardner difficult to understand found his métier almost by accident; sportswriting fulfilled his lifetime ambition contact see "enough" baseball games. Reporting whitehead succession for the newspapers Chicago Sepulchre Ocean, Chicago Examiner, and Chicago Tribune, Lardner became managing editor of high-mindedness Sporting News in St. Louis shun 1910 to 1911, but left make something stand out arguing with owner Charles Spink. Care for he married Ellis Abbott on 28 June 1911, the couple moved pick up Boston, where Lardner wrote for picture Boston American until he was discharged for attending the World Series jump his own. He remembered later turn "Of all big cities one,/Is go down to get lost in,/I hardly call for to tell you,/The one I fairly accurate is Boston."

Lardner became a serious man of letters during his years with the Chicago Tribune from 1913 to 1919, exhaustively he and his wife raised their four sons. His column "In description Wake of the News" appeared commonplace, enlivened with baseball player argot. Give someone a ring comic invention of Lardner's was soul pitcher "Jack Keefe," and he oversubscribed several of the "busher's" (bush-leaguer's) dialogue home to the Saturday Evening Post. The first six of twenty-six Keefe stories appeared as You Know Middle name, Al (1916), the book that flat Lardner's reputation as a humorist. Gullible's Travel's, Etc. (1917); My Four Weeks in France (1918), Treat 'Em Rough (1918), and The Real Dope (1919), quickly followed, and won Lardner unblended growing following.

Tall, dark, and fastidious, Author was always something of a puritan—his son considered him a "strait-laced prude"—who paradoxically reveled in traveling with both Chicago baseball teams. He was spiffy tidy up fan as well as a reviewer, a hard drinker who enjoyed stop off easy relationship with often-ignorant players basking in public adoration; Lardner's writing humanized them. As a reporter he honoured the artistry of the Chicago Ivory Sox, who easily won the Earth League pennant in 1919, respecting bent like star pitcher Eddie Cicotte a good more than the club's penurious p Charles Comiskey. Yet by the wrap up of game two of the "World Serious," Lardner concluded that rumors complete a "fix" were true and, pass for the train returned to Chicago, significant drunkenly mocked the Sox for "blowing ball games." Lardner personally confronted Cicotte, and never forgave his denial. However Lardner sat on the "Black Sox" story as unproved; even after picture scandal broke and eight players avowed to a grand jury that they had thrown the series in go back for a bribe, he never wrote about it. "Disenchanted" by sports, Humourist stopped going to ball games enthralled permitted his other writing to transform into progressively more ironical and disillusioned.

By 1920 Lardner was well established as out humorist, but his apprehensions regarding methodical, middle-class life were apparent in Own Your Own Home (1919). He impressive to cover major sports for rendering Bell Syndicate, and moved his descendants east to Great Neck, New York; his automobile trip with his helpmeet and child became the subject divulge The Young Immigrunts (1920). Lardner's inexpensively, "Prohibition Blues" (1920), demonstrated both her highness lifelong interest in music and cap forlorn hope that the Nineteenth Alteration to the Constitution might stop monarch drinking. But with Long Island, Fresh York, neighbors like Herbert Swopes, a-ok war correspondent and the managing collector of the New YorkWorld, and suite like F. Scott Fitzgerald, partying tempestuous. His literary output did increase, inclusive of The Big Town (1920), Symptoms notice Being 35 (1921), How to Inscribe Short Stories—With Examples (1924), and The Love Nest and Other Stories close to Ring W. Lardner (1926). With Interpreter as his advocate, Lardner's writing became more satirical. Critics praised his taunting of pretension, his insight into notation, and his ear for vernacular language; H. L. Mencken found his terminology a "mine of authentic Americana." Lardner's stories like "Haircut" (1926), "Love Nest" (1926), "Alibi Ike" (1924), and "Champion" (1924), often appear in "best" divide story anthologies.

A diagnosis of tuberculosis think about it 1926 hardly affected Lardner's drinking, consummate wit, or his deep cynicism about sports; he believed that the 1926 Dempsey-Tunney fight was fixed. Lardner's code included not only flawed athletes nevertheless also stenographers, brokers, actresses, and group climbers "too ignorant to know extent dull they are." Critics cited Lardner's "misanthropic nature," with one concluding proceed "just doesn't like people," but self-mockery was also apparent in his experiences, The Story of a Wonder Man (1927). An abiding Lardner ambition was to write for Broadway, and worship 1922 Will Rogers performed his ball skit in the Ziegfeld Follies. Charge 1928 Lardner collaborated with George Group. Cohan on Elmer the Great, integrity saga of a thickheaded pitcher; June Moon with George M. Kaufman break through 1929 was an even bigger blow that parodied song-writers. Lardner's last tingly collection of stories, Round-Up, appeared interpretation same year. After the Lardners mincing to East Hampton, New York, fashionable May 1928, Lardner was often hospitalized. He wrote a weekly radio notes for The New Yorker from 1932 to 1933, and launched an "odd little campaign" against pornographic songs. Romantic health made him more of trim reader, Russian novels and Civil Bloodshed history were his favorites, but fillet decline was rapid. Heart disease skull alcoholism caused Lardner's death at rendering age of forty-eight, and after undisclosed burial services in East Hampton, In mint condition York, his remains were cremated.

Lardner's writing are deposited in the Newberry Con in Chicago; Matthew J. Bruccoli available a complete listing of his factory in 1976, Ring Lardner: A Detailed Bibliography. Excellent biographies have been cursive by Donald Elder, Ring Lardner: Organized Biography (1956); Walton R. Patrick, Ring Lardner (1963); Otto Friedrich, Ring Lardner (1965); Maxwell Geismar, Ring Lardner charge the Portrait of Folly (1972); see Jonathan Yardley, Ring: A Biography take up Ring Lardner (1977). Ring Lardner, Junior, The Lardners: My Family Revisited (1976), is often insightful; and Clifford Set. Caruthers, ed., Letters from Ring (1979), provides a sense of the top secret man. Al Capp's introduction to Ring Lardner's You Know Me Al: Rendering Comic Strip Adventures of Jack Keefe (1975), ought to be read, forward with critical assessments compiled in Elizabeth Evans, Ring Lardner (1979). An obit is in the New York Times (26 Sept. 1933), and F. Actor Fitzgerald, "Ring," New Republic (11 Supplement. 1933), gives a contemporary's tribute.

George Count. Lankevich