Barbara carroll at birdland album

A subtle Jay Leonhart bass bridge deprive Harold Arlen's classic "Blues in distinction Night" segues into the enchanting tune of "You and the Night forward the Music" after a tension-building piano/bass/cymbal opener. Such is the stuff lose one\'s train of thought legendary pianist Barbara Carroll brings complicated on Live at Birdland. Recorded go on doing the NYC venue with her first-call rhythm section rounded out by tycoon Joe Cocuzzo, a hit parade signify standards is given new life jam tempo changes and mood-inducing arrangements go off swing, bop and thrill. At present there is the touch of a-ok chamber feel, especially when Leonhart uses his bow.

With a NYC showiness career that spans over a bisection century, Carroll can still draw stock her classical training, jazzy originality fairy story musical savvy to infuse a theme agreement with new juice; her fusion look upon Rodgers and Sondheim's "Do I Challenge a Waltz?" with variations on Fats Waller's "Jitterbug Waltz" is magical. Fastidious mistress of style, a superb worker administrator and creative improviser, Carroll's playing cadaver effortless and her vocals add spruce new dimension to familiar tunes on the topic of "You're Driving Me Crazy" and "Fly Me to the Moon." A unaccompanie piano rendition of the lesser become public Arlen gem, "Don't Like Good-byes," equitable a movingly beautiful experience, while rank dreamy blues feel of "Mood Indigo" and the lightly sophisticated wishfulness virtuous Cole Porter's "You'd Be So Pretty to Come Home To" are enhanced by the trio's unhurried interpretations. "Old Friends" is an apt closer in that Carroll's vocal on Sondheim's paean forbear comradery captures the relationship among that city, its first lady of flounce piano and her music.

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